Filtering by: Program

Oct
9
7:00 PM19:00

Andrea Blum: BIOTA Public Lecture

Detail from Birdhouse installation. Social Studies, 2013. La Conservera Centro Arte Contemporaneo, Murcia Spain.

ROOTS / ROUTES
Wednesday, October 9, 2024, 7:00pm

2nd Floor Flex Space, 205 Hudson Street (at Canal St.)
New York, NY 10013

Join us at 205 Hudson's Flex Space on Wednesday, October 9 at 7pm for a lecture presented in conjunction with current exhibition Andrea Blum: BIOTA. The presentation will cover Blum's works made for public spaces throughout the United States and Europe beginning in the 1970s, as well as more recent works including sculpture, video, and digital images. A conversation with exhibition guest curator Jenny Jaskey and a Q&A will follow the talk.

The lecture will be held in the 2nd floor Flex Space at the Hunter MFA Building (205 Hudson Street), which is accessible by elevator through both the gallery and the main building entrance. Staff will be present to guide visitors. For questions about accessibility, please email hcag@hunter.cuny.edu. A recording of the this event will be available on the exhibition website following the discussion. 

Andrea Blum: BIOTA is on view through October 26, 2024.
205 Hudson Gallery is open Tuesday–Saturday, 12–6pm. All Hunter College Art Galleries events are free and open to the public.

ABOUT THE ARTIST

Andrea Blum (b. 1950, New York) has been engaged in the discourse between art and architecture since the 1970s. She has had solo exhibitions at Kunsthaus Baselland, Switzerland (2021); La Conservera Centro de Arte Contemporaneo, Murcia, Spain (2012); Stroom Den Haag, Netherlands (2004); and Henry Moore Institute, Leeds (1999), among others. Blum has designed numerous public commissions, including for the University of Pennsylvania (2018); Mudam, Luxembourg (2008); and the 51st Venice Biennale, Italy (2005). She was set designer for a Gaetano Donizetti Opera, commissioned by Theatre des Champs-Elysees in Paris (2013), and in 2005 was named Chevalier, Order of Arts and Letters, by the French Minister of Culture. Blum has been awarded a Guggenheim Fellowship, Graham Foundation Fellowship, SJ Weiler Award, Art Matters, NYSCA and NEA Fellowships, and a Design award from the American Institute of Architects. Blum holds an MFA from the Art Institute of Chicago and a BFA from the Boston Museum School of Fine Arts. ​​Blum taught in the Department of Art and Art History at Hunter College for over thirty years and retired in 2023 as Associate Chair of Studio.

______________________________________________________________

This exhibition is made possible by the generous support of the Arthur and Carol Kaufman Goldberg Foundation To-Life Curatorial Workshop Fund, the Anna-Maria and Stephen Kellen Foundation, the Judith Whitney Godwin Foundation for the Arts, the Red Painters Fund, Jill Brienza, Agnes Gund, The Katcher Family Foundation Inc., and other private donors. The publication has been supported by the Graham Foundation for Advanced Studies in the Fine Arts, the Estate of Tony Feher, and a grant from the Wolf Kahn Foundation and the Emily Mason and Alice Trumbull Mason Foundation on behalf of artists Emily Mason and Wolf Kahn.

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Sep
4
6:00 PM18:00

Andrea Blum: BIOTA Opening Reception

Image by NaSser Alomairi

Public Opening Reception: September 4, 2024, 6–8 pm

205 Hudson Gallery, Hunter College Art Galleries
205 Hudson Street (at Canal St.)
New York, NY 10013

Please join us for a reception with the artist on Wednesday, September 4, 6-8pm. RSVP HERE.

All HCAG programs are free and open to public. Please let us know if you have accessibility concerns or questions and we will be happy to help. Email: hcag@hunter.cuny.edu.

ABOUT THE EXHIBITION:

Andrea Blum has worked at the intersection of art, design, and architecture for over forty years. She began making temporary installations in the mid-1970s, and in the decades since, she has created numerous public artworks for cities and universities across the United States and Europe. These include plazas, parks, mobile homes, libraries, an aviary, and sets for a Paris opera. Her exhibition designs for museums and galleries reconfigure how viewers perceive familiar spaces and one another. Blum’s sculptures frequently place bodies in proximity without the ability to touch. A tension between autonomy and intimate connection runs throughout the works. 

In BIOTA, Blum presents an exhibition environment with works from 2008–2024 that center on constructions of the natural world and relations between humans and non-humans. These include a series of digital images that simulate organic matter, experiments with furniture-like objects for interspecies observation, and videos of wildlife in which animal desire parallels our own. In these psychologically charged works, Blum uses shifts of perspective and scale to explore entanglements of the natural and social realms. 

Andrea Blum: BIOTA is curated by Jenny Jaskey and organized by Katie Hood Morgan, Chief Curator and Deputy Director, Hunter College Art Galleries.

This exhibition is made possible by the generous support of the Arthur and Carol Kaufman Goldberg Foundation To-Life Curatorial Workshop Fund, the Anna-Maria and Stephen Kellen Foundation, the Red Painters Fund, Jill Brienza, Agnes Gund, The Katcher Family Foundation Inc., and other private donors. The publication has been supported by the Graham Foundation for Advanced Studies in the Fine Arts, the Estate of Tony Feher, and a grant from the Wolf Kahn Foundation and the Emily Mason and Alice Trumbull Mason Foundation on behalf of artists Emily Mason and Wolf Kahn.

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Performance: shawné michaelain holloway
Mar
28
7:00 PM19:00

Performance: shawné michaelain holloway

  • Hunter College MFA Program Flex Space, Room 200 (map)
  • Google Calendar ICS

Thursday, March 28
Performance at 7pm
Doors open at 6:30pm

Hunter College MFA Program Flex Space, Room 200
205 Hudson Street
New York, NY 10013

Free and open to the public

_.Scheduled(VariableRatio):secondary-conditioned-immediateReinforcement(s)-handlerSearch1_DrillAndPracticeVERSION2.exe, is an interactive experiment in operant conditioning to articulate the structure of intimacies inherent in behavioral training.

In a training session for a human puppy and her handler, positive and negative reinforcements are enacted in a circle between audience members and the performer. Engaged together through a system of exchange, they mutually agree on how to choreograph the giving and receiving of a reward. As rewards and punishments offer potentially precarious and playful communication, this choreographic transfer of power is an act of BDSM. Through this temporary relationship, called “pick-up play,” viewers witness a visceral dance that asks questions about how consent is communicated, what qualifies as violence, and how desire can manifest.

_.Scheduled(VariableRatio):secondary-conditioned-immediateReinforcement(s)-handlerSearch1_DrillAndPracticeVERSION2.exe is part of holloway’s ongoing Chambers Series (2017–present), which is comprised of performance scores and their partner publications that illustrates a series of BDSM acts.

shawné michaelain holloway uses sound, video, and performance to shape the rhetoric of technology and sexuality into tools for exposing structures of power. She has spoken and exhibited at institutions internationally, including the New Museum, New York; Sorbus Galleria, Helsinki; The Kitchen, New York; the Institute of Contemporary Arts,London; and the Museum of Contemporary Art Chicago. holloway teaches digital publishing theory and practice in the New Arts Journalism department at the School of the Art Institute of Chicago. Her books (- - -), i'd lie if i could even, and no separation were published in 2018 as part of the TOO OFTEN IN THE DARK series, an ode to bondage, refusal, and wild women. holloway is also a sex educator, teaching classes and writing about intersectional approaches to exploring our bodies and our kinks.

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Verbal Description + Touch Tour of Refiguring the Future with Museum Educator Paula Stuttman
Mar
23
2:00 PM14:00

Verbal Description + Touch Tour of Refiguring the Future with Museum Educator Paula Stuttman

Saturday, March 23
2–3:30 PM

205 Hudson Gallery
205 Hudson Street
New York, NY 10013

Free and open to the public

Detailed verbal descriptions and selected touch objects will provide an opportunity for visitors who are blind or have low vision to experience the exhibition. This tour will focus on the dynamic artworks and themes put forward by the artists and curators.

RSVP is requested. For more information or to RSVP please email j.soto@eyebeam.org or call (347) 378-9163.

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This Platform Life, a performance by In Her Interior, with Petra
Feb
15
6:30 PM18:30

This Platform Life, a performance by In Her Interior, with Petra

  • Hunter College MFA Program Flex Space, Room 200 (map)
  • Google Calendar ICS

Friday, February 15
Doors open at 6:30 PM
Performance at 7:00 PM

Free and open to the public

Hunter College MFA Program Flex Space, Room 200
205 Hudson Street
New York, NY 10013

This Platform Life (a command line memoir)

In Her Interior and Petra will perform This Platform Life (a command line memoir). This Platform Life is a memoir, looking back to look forward at a life lived in the futurepast, platform stacking, stratifying, and avatar jumping, where the flesh in all its porosity leaks data into the dataocean to become a multiplicity in univocity. Hyperleaping from platform to platform and avatar to avatar, exhuming zombie shells and webbing, messily.

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

In Her Interior
Formed in 2015, In Her Interior co-creates and performs live works of spoken, sung, and recorded text and video within site-specific installation environments. As two of the four co-founders of cyber-feminist group VNS Matrix (est. 1991), da Rimini and Barratt have contributed to critiques of gender and technology for over three decades. Her Eyes Were As Black As Coal… is a new work by the Australian collective, on view in Refiguring the Future.


Petra
Petra (aka Waste Heat) is a Milwaukee-based sound artist & DJ whose ambient/techno mixes are really taking off in the Midwest and beyond. This is the first time they have performed live with In Her Interior, and in New York, although they have collaborated on sporadic philosophy gigs together.

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Closing Weekend Events for Axis Mundo: Zine Fair, Panel Discussion, T-Shirt Making, and Reception
Aug
18
7:00 AM07:00

Closing Weekend Events for Axis Mundo: Zine Fair, Panel Discussion, T-Shirt Making, and Reception

CLOSING WEEKEND EVENTS FOR AXIS MUNDO: QUEER NETWORKS IN CHICANO L.A.
ZINE FAIR, PANEL DISCUSSION, T-SHIRT MAKING AND RECEPTION 


Saturday, August 18, 1:00–7:00 PM
Free and open to the public

205 Hudson Gallery
205 Hudson Street
New York, NY 10013
Entrance on south side of Canal Street between Hudson and Watts

1–7PM / Zine fair
The Bettys, Discipline Press, Luna Rio, Precog Magazine, Cósmica, Sula Collective, and 3 Dot Zine

 

2–3:15PM / Panel discussion
Joey Terrill, Rudy Garcia, Tamara Santibanez, and Kameelah Janan Rasheed

 

4PM / T-shirt making workshop with Joey Terrill

 

6–7PM / Closing Reception

 

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PERFORMANCE NIGHT: Keith Lafuente and ray ferreira
Aug
2
1:00 PM13:00

PERFORMANCE NIGHT: Keith Lafuente and ray ferreira

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PERFORMANCE NIGHT: Keith Lafuente and ray ferreira
in conjunction with Axis Mundo: Queer Networks in Chicano L.A. followed by a conversation with Emmy Catedral

Thursday, August 2nd, 7:00 PM
Free and open to the public

205 Hudson Gallery
205 Hudson Street
New York, NY 10013
Entrance on south side of Canal Street between Hudson and Watts


Performances by ray ferreira and Keith Lafuente, followed by a brief conversation moderated by Emmy Catedral.

Axis Mundo: Queer Networks in Chicano L.A. is curated by C. Ondine Chavoya and David Evans Frantz and was organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and is organized as a traveling exhibition by Independent Curators International (ICI). The presentation at the Hunter College Art Galleries has been organized in collaboration with Chief Curator Sarah Watson and Exhibitions Manager Jenn Bratovich. 

Programming organized by Hunter College Axis Mundo fellows Mathew Galindo, Khari Johnson Ricks, and Joseph Shaikewitz. 

BIOGRAPHIES

EMMY CATEDRAL is an artist working in performance and installation with things made with paper, including books. She also makes work as The Amateur Astronomers Society of Voorhees and The Explorers Club of Enrique de Malacca. Emmy was born in Butuan, and raised in Iloilo City and Queens, NY. She is the Coordinator of Fairs & Editions for Printed Matter, Inc. 

RAY FERREIRA w h e n a m i blaqlatinx from occupied Lenape lands called New York, N Y: the illegitimate EEUU. An o t the r Corona, Queens a spacetimemattering a materialdiscusive (dis) continuity: [the Caribbean, the Greater Antilles, Hispañola, the Dominican Republic —> Corona, Queens] : history. 

w h e n a m i a performer of sorts aka multidisciplinary artist aka polymath. She stays playin : the dance between materiality<->language through her body w h e n a m i where histories are made and remade. She plays with iridescence, text, rhythms (aka systems), to cruise a quantum poetics. Englishes, Spanishes, and other body languages spiral, dance, and twirl to create a banj criticality: that turnup w/the grls; that swerve past white cishet patriarchy. wh e n ami

She can be located museum educating at the Studio Museum in Harlem, as well as floating through other museum education departments. In addition, she lead teaches at the Octavia Project (a summer institute for teen girls and nonbinary youth), and freelances for various artists. w h e nam i Other intersections of space|time|matter include residencies at the Institute for Electronic Arts and EmergeNYC, performances at the Segue reading series, Dixon Place, and the Brooklyn Museum of Art, and slightly different performances in Femmescapes: Vol 2 and The Felt: Issue 4. whenami She engaged in a durational performance to obtain an expensive piece of paper (an MFA in Studio Art) from Hunter College. 
 

KEITH LAFUENTE (b.1992) is a multidisciplinary artist, often working with the body to unravel identity and articulate desire. Straddling the mundane and the theatrical, Lafuente's work reenacts dominant tropes and reconfigures them into something more intimate and possibly more absurd. He also performs under the stage name Mahal Kita, which translates to "I love you" in Tagalog. Lafuente currently lives and works in NY.

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Visual AIDS Talk + Tour of Axis Mundo: Queer Networks in Chicano L.A.
Jul
17
12:30 PM12:30

Visual AIDS Talk + Tour of Axis Mundo: Queer Networks in Chicano L.A.

Gerardo Velázquez,&nbsp;The Neglected Martyr, 1990. Acrylic on canvas, 80 x 66¼ in. (203.2 x 168.3 cm). Gift of the Nervous Gender Archive. ONE National Gay &amp; Lesbian Archives at the USC Libraries. Photo by Fredrik Nilsen

Gerardo Velázquez, The Neglected Martyr, 1990. Acrylic on canvas, 80 x 66¼ in. (203.2 x 168.3 cm). Gift of the Nervous Gender Archive. ONE National Gay & Lesbian Archives at the USC Libraries. Photo by Fredrik Nilsen

 

Visual AIDS Talk + Tour of Axis Mundo: Queer Networks in Chicano L.A.

Tuesday, July 17, 6:30 PM

Free and open to the public
Invite friends on Facebook here

205 Hudson Gallery
205 Hudson Street
New York, NY 10013
Entrance on south side of Canal Street between Hudson and Watts

Axis Mundo: Queer Networks in Chicano L.A. is the first exhibition of its kind to excavate histories of experimental art practice, collaboration, and exchange by a group of Los Angeles based queer Chicanx artists between the late 1960s and early 1990s. To highlight the New York iteration of Axis Mundo, Visual AIDS and the Hunter College Art Galleries host a guided talk and tour with an intergenerational group of creatives who knew artists highlighted in the exhibition or have been influenced by the artworks included in the show.

The Visual AIDS Talk + Tour of this landmark exhibition, curated by C. Ondine Chavoya and David Evans Frantz, will center the work of artists lost to AIDS-related complications with reflections by Simon Doonan on Mundo Meza (1955–1985) and Aldo Hernandez on Ray Navarro (1964–1990). To explore the intersections of art, AIDS and activism in the exhibition, the tour will also include comments by J. Soto, Lauren Argentina Zelaya and Alexandro Segade.

As noted in the AIDS Activism(s) section of the exhibition: “The devastation of the AIDS epidemic was acutely felt by intersecting Latinx and queer artist communities. In the face of government neglect, many artists politicized their practices, often taking inspiration from their earlier participation in gay and lesbian and Chicano rights movements. Working within community and advocacy groups, artists sought to raise awareness and educate through quickly produced and accessible mediums such as video and print material. Many artists memorialized those lost to the disease, while others took up their own mortality and disability as content for their work through abstraction and conceptual distance.”
 

Axis Mundo: Queer Networks in Chicano L.A. is curated by C. Ondine Chavoya and David Evans Frantz and was organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and is organized as a traveling exhibition by Independent Curators International (ICI). The presentation at the Hunter College Art Galleries has been organized in collaboration with Chief Curator Sarah Watson and Exhibitions Manager Jenn Bratovich. 

Speaker Biographies

Simon Doonan is a writer, bon-vivant, window dresser extraordinaire and fashion commentator who has worked in fashion for over 35 years. Doonan has won many awards for his groundbreaking and unconventional window displays, including the CFDA Award. In 2009, he was invited by President and Ms. Obama to decorate the White House for the Holidays. Doonan describes his relationship with Mundo Meza: “I met Mundo in 1979. We became boyfriends for a couple of years, after which we remained close pals. We were also creative collaborators, working together on various window displays and videos.”

Cuban-American Aldo Hernández and Chicano Ray Navarro both honed their commitments to society through artistic projects in California and then re-located to NYC. Hernández landed jobs with MoMA and Creative Time, and while visiting LA in 1988 was introduced to Navarro at latin gay party Vasilon through a mutual friend from MoCA where Navarro worked. That June, Navarro moved to NY where they became close friends, AIDS activists, and Art+Positive collaborators until Navarro’s death in November 1990. During that summer, Hernández had begun DJing at the Clit Club & MEAT, where he melded a passion for the groove with graphics and photography as he dove into a life long calling of the sonic & visual. It was an urgent vital time in both their lives that remains powerfully conveyed through Navarro’s incisive art & writings focused on young queers of color.

Alexandro Segade is an interdisciplinary artist whose multimedia science fiction performances exploring queer futurity have been presented at the Broad Museum, REDCAT and LAXART, LA; Yerba Buena Center, San Francisco; Time-Based Arts Festival, Portland, Oregon; Movement Research/Judson Church, Park Avenue Armory, NYC, and Fisher Center for the Performing Arts, Bard College, NY. Since 2001, Segade has worked in the collective My Barbarian on exhibitions, videos and performance projects at venues including the New Museum, MoMA, The Kitchen, Participant Inc., NY; Museo El Eco, Mexico City; the Hammer Museum, LACMA, MoCA, Susanne Vielmetter Gallery, LA; the 2014 Whitney Biennial, Performa 05 and 07. Segade’s recent writing has been published in Yale’s Theater Journal and artforum.com, and he is cohost of the podcast Super Gay! 

J. Soto is a queer brown transgender interdisciplinary artist, writer, and arts organizer. His collaborative writing project, "Ya Presente Ayer" can be found in Support Networks, Chicago Social Practice History Series (University of Chicago Press). His recent writing can be found in Original Plumbing and Apogee Journal: Queer History, Queer Now Folio and American Realness 2018: Reading. A Chicano raised in the San Francisco Bay Area, J. is interested in sex as an embodied way of learning queer history, the impact of AIDS on queer communities of artists and feeling loss through a racialized lens and through the portrayal of sensual bodies in Axis Mundo

Lauren Argentina Zelaya is a cultural producer, curator, and museum educator based in Brooklyn, NY. As Assistant Curator of Public Programs at Brooklyn Museum, Zelaya curates and produces Target First Saturdays and other free and low-cost public programs that invite over 100,000 visitors a year to engage with special exhibitions and collections in new and unexpected ways. Lauren is committed to collaborating with emerging artists and centering voices in our communities that are often marginalized, with a focus on film and performance and creating programming for and with LGBTQ+, immigrant, and Caribbean communities. Recent projects she presented include Cuerpxs Radicales: Radical Bodies in Performance and Black Queer Brooklyn on Film. Known and respected equally for her nail art and her fierce commitment to bringing art and culture to the people, Lauren was named one of Brooklyn Magazine’s 30 Under 30 in 2018.

 

 

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Tour and Open House with Axis Mundo Curators and Artists
Jun
23
9:00 AM09:00

Tour and Open House with Axis Mundo Curators and Artists

Participants in the Christopher Street West Pride paradewearing Joey Terrill’s malflora and maricón&nbsp;T-shirts, June 1976. Terrill appearsthird from the left. Photo by Teddy Sandoval. Courtesy of Paul Polubinskas.

Participants in the Christopher Street West Pride parade
wearing Joey Terrill’s malflora and maricón T-shirts, June 1976. Terrill appears
third from the left. Photo by Teddy Sandoval. Courtesy of Paul Polubinskas.

 

Tour and Open House with Axis Mundo curators and artists at 205 Hudson Gallery
Saturday, June 23, 2018, 3–6 PM

Presented in conjunction with the exhibition Axis Mundo: Queer Networks in Chicano LA at the 205 Hudson Gallery
 

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Curatorial Talk: Rosario Güiraldes of The Drawing Center
Mar
29
12:30 PM12:30

Curatorial Talk: Rosario Güiraldes of The Drawing Center

Leticia Obeid, still from B., 2008. Video, 58 min. Courtesy of the artist.

Leticia Obeid, still from B., 2008. Video, 58 min. Courtesy of the artist.

Curatorial Talk: Rosario Güiraldes of the Drawing Center
Thursday, March 29, 2018, 6:30–8pm
Presented in conjunction with the exhibition 
Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros

Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibition on view.

Rosario Güiraldes is Assistant Curator and Co-Director of the Open Sessions artist program at The Drawing Center. She has organized curatorial projects and public programs at the Barcelona Museum of Contemporary Art (MACBA); University Museum of Contemporary Art (MUAC), Mexico City; Hessel Museum of Art at Bard College, the Judd Foundation, the International Studio & Curatorial Program, and the Consulate General of Argentina, all New York; and Fundación Proa, Buenos Aires. Her most recent project Forensic Architecture: Towards an Investigative Aesthetics was presented in different versions at the Barcelona Museum of Contemporary Art (2017), and at the University Museum of Contemporary Art, Mexico City (2017–18). Güiraldes has edited numerous publications, such as Pioneer Works Journal, Forensic Architecture: Hacia una estética investigative, Staging, The Present is the Form of All Life: The Time Capsules of Ant Farm and LST, aCCseSsions, Compos, and Correspondencia. At Fundación Proa, she also organized Forensis (2015) with Anselm Franke and Eyal Weizman. Güiraldes holds a B.Arch from the Universidad de Buenos Aires and an MA in Curatorial Studies from the Center for Curatorial Studies, Bard College.

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Student Curators' Hours at 205 Hudson Gallery
Mar
24
8:00 AM08:00

Student Curators' Hours at 205 Hudson Gallery

Harper Montgomery leading a tour of Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros.Photograph by Natalie Conn.

Harper Montgomery leading a tour of Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros.
Photograph by Natalie Conn.

Student Curators' Hours at 205 Hudson Gallery
Organized in conjunction with the exhibition
Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros

Saturday, March 17 and March 24, 1–3:00pm


Join Advanced Curatorial Certificate students and co-curators in the gallery anytime from 1 to 3pm. We will be exploring the rich source material behind works in the exhibition through self-guided itineraries, short interactive tours given by the curators, and related performances.

This event is free and open to the public.

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Student Curators' Hours at 205 Hudson Gallery
Mar
17
8:00 AM08:00

Student Curators' Hours at 205 Hudson Gallery

Harper Montgomery leading a tour of Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros.Photograph by Natalie Conn.

Harper Montgomery leading a tour of Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros.
Photograph by Natalie Conn.

Student Curators' Hours at 205 Hudson Gallery
Organized in conjunction with the exhibition
Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros

Saturday, March 17 and March 24, 1–3:00pm


Join Advanced Curatorial Certificate students and co-curators in the gallery anytime from 1 to 3pm. We will be exploring the rich source material behind works in the exhibition through self-guided itineraries, short interactive tours given by the curators, and related performances.

This event is free and open to the public.

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Oct
14
9:00 AM09:00

Tibetan Thangkas: The Art of Visualization

Tibetan Thangkas: The Art of Visualization

Tibetan Thangkas: The Art of Visualization
A talk by Ven. Khenpo Tenzin Norgay Rinpoche 

Organized in conjunction with "Ugo Rondinone: I ♥︎ John Giorno" for the chapter John Giorno and Tibetan Buddhism at 205 Hudson Gallery, Hunter College Art Galleries

With works by John Giorno and Ugo Rondinone and thangkas selected from the collection of the Rubin Museum of Art

Saturday, October 14, 2017
3pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013

Entrance on the south side of Canal between Hudson and Watts

Iconic figures represented in Tibetan thangkas, or painted scrolls, mirror aspects of our own enlightened nature. Depicted in their sacred environment, or mandala, both figure and ground act as supports for a devotee’s meditation practices. With Khenpo Norgay Rinpoche’s guidance, we will enter into the mandala of thangkas on display at the gallery.

Ven. Khenpo Tenzin Norgay Rinpoche completed the nine-year program of study at the Ngagyur Nyingma Institute, an advanced Buddhist studies and research center at Namdroling Monastery in southern India, and taught at the Institute for three years. Formally enthroned as “Khenpo” by His Holiness Penor Rinpoche in 1998, he was assigned to teach at the Buddhist college of the Palyul monastery in Tibet, where he served on the faculty for two years.

Since 2005, Khen Rinpoche has been the resident lama at the Nyingma Palyul Dharma Center (NPDC) in New York City. NPDC serves as a locus for students of the Palyul tradition in the metropolitan area, and welcomes visitors from around the world to participate in all its activities.  The center hosts public talks, formal teachings, and empowerments from the Palyul tradition, as well as a variety of cultural events at venues throughout the city.

For more information about Khenpo Norgay Rinpoche or the Palyul tradition and retreats please visit:
www.palyulnyc.org
www.palyul.org
www.retreat.palyul.org

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Oct
12
1:00 PM13:00

Replica, Originality, and the Art of Devotion

Replica, Originality, and the Art of Devotion

Replica, Originality, and the Art of Devotion

 A panel discussion with Marcus Boon, John Giorno, Ariana Maki and Tsherin Sherpa

Organized by Wen-Shing Chou and Sarah Watson

Presented in conjunction with the exhibition Ugo Rondinone: I ♥ John Giorno for the chapter “John Giorno and Tibetan Buddhism” with works by John Giorno and Ugo Rondinone and thangkas selected from the collection of the Rubin Museum of Art

Thursday, October 12, 2017
7pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013

Entrance on the south side of Canal between Hudson and Watts

Created in the forms of paintings and sculptures, Tibetan Buddhist images are part of a sophisticated artistic and religious tradition whose efficacy is underscored by the interconnected concepts of replication and originality. This conversation positions the image-making tradition in relation to the acts of copying, repetition, and rehearsal that have been central to contemporary art and culture. The aim is to offer fresh perspectives on Tibetan Buddhist images that have rarely been understood outside of their cultural and devotional contexts, and to forge new connections between different spheres of artistic practice, both traditional and modern.

Marcus Boon is a writer and Professor of English at York University in Toronto. He is the author of The Road of Excess: A History of Writers on Drugs (Harvard, 2002); In Praise of Copying (Harvard, 2010); and is a co-author with Timothy Morton and Eric Cazdyn of Nothing: Three Inquiries in Buddhism (Chicago, 2015). He is co-editing a book on Practice with Gabriel Levine (MIT/Whitechapel, forthcoming) and is currently finishing a book on sound and ontology called The Politics of Vibration.

John Giorno is an artistic innovator who has been defying conventional definitions of poet, performer, political activist, Tibetan Buddhist, and visual artist since he emerged upon the New York art scene during the late 1950s. In the 1960s, he began producing multi-media, multi-sensory events concurrent with Warhol’s Exploding Plastic Inevitable. He worked with Rauschenberg’s Experiments in Art and Technology (E.A.T) in 1966, and with Bob Moog in 1967–68. His breakthroughs in this area include Dial-A-Poem, which was first presented in 1968 at the Architectural Society of New York, and was later included in the MoMA’s Information exhibition in 1970. His contributions are significant to many culturally defining moments: the Beat generation, Pop Art, Punk, the Pictures Generation, and the hip-hop era. Giorno’s work is included in the collections of the Museum of Modern Art, New York; the Centre Georges Pompidou, Paris; the Musée National d´Art Moderne, Paris; and the Queensland Art Gallery/Gallery of Modern Art, Brisbane; among others.

Ariana Maki holds a Ph.D. in Art History with a focus on Buddhist Art and specializations in Himalayan and South Asian art, as well as a minor concentration in Islamic art and architecture. She is presently a Research Scientist in Religious Studies at the University of Virginia. She is also Associate Curator of Himalayan Art Resources and maintains a research affiliation with the National Library and Archives of Bhutan. Maki's research interests include the relationships between text, politics and visual representation, the development of Himalayan visual arts, and the intersections of art and ritual.

Tsherin Sherpa was born in Kathmandu, Nepal in 1968 and currently works and resides in California. From the age of 12, he studied traditional Tibetan thangka painting with his father Master Urgen Dorje, a renowned thangka artist from Ngyalam, Tibet. In 1998, Sherpa immigrated to California, where he taught traditional thangka painting at various Buddhist Centers until he began to explore his own style, reimagining tantric motifs, symbols, colors and gestures placed in resolutely contemporary compositions. He has exhibited internationally, including in the 1st Kathmandu Triennale of Contemporary Art, Nepal (2017); the 8th Asia Pacific Triennale of Contemporary Art, Brisbane (2015); 2nd Dhaka Art Summit, Bangladesh (2014); the Queens Museum of Art, New York (2014); MASS MoCA, North Adams (2014); the Songzhuang Art Center, Beijing (2010); and the Rubin Museum of Art, New York (2010). His works are in many collections in Europe, America and Asia, including the Queensland Art Gallery of Modern Art, Brisbane; the Victoria and Albert Museum, London; the Asian Art Museum of San Francisco; the Samdani Art Foundation, Dhaka; and the Rubin Museum of Art.

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Sep
30
9:00 AM09:00

Walking the Talk: The Noble Eightfold Path

Walking the Talk: The Noble Eightfold Path

Walking the Talk: The Noble Eightfold Path
A talk by Ven. Khenpo Tenzin Norgay Rinpoche 

Organized in conjunction with the exhibition Ugo Rondinone: I ♥ John Giorno and Tibetan Buddhism at 205 Hudson Gallery, Hunter College Art Galleries

With works by John Giorno and Ugo Rondinone and thangkas selected from the collection of the Rubin Museum of Art

Saturday, September 30, 2017
3pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

The Buddha lived in times not unlike our own. Amidst pervasive socio-economic and political turmoil, he questioned the wisdom of prevailing cultural-religious norms. His analysis of the true nature of things and events—with the intent to liberate all beings from suffering—forged a pathway to enlightenment. “The Noble Eightfold Path” lists essentials required for taking this walk.

Ven. Khenpo Tenzin Norgay Rinpoche completed the nine-year program of study at the Ngagyur Nyingma Institute, an advanced Buddhist studies and research center at Namdroling Monastery in southern India, and taught at the Institute for three years. Formally enthroned as “Khenpo” by His Holiness Penor Rinpoche in 1998, he was assigned to teach at the Buddhist college of the Palyul monastery in Tibet, where he served on the faculty for two years.

Since 2005, Khen Rinpoche has been the resident lama at the Nyingma Palyul Dharma Center (NPDC) in New York City. NPDC serves as a locus for students of the Palyul tradition in the metropolitan area, and welcomes visitors from around the world to participate in all its activities.  The center hosts public talks, formal teachings, and empowerments from the Palyul tradition, as well as a variety of cultural events at venues throughout the city.

For more information about Khenpo Norgay Rinpoche or the Palyul tradition and retreats please visit:
www.palyulnyc.org
www.palyul.org
www.retreat.palyul.org

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Jul
8
9:00 AM09:00

The Four Noble Truths, a talk by Ven. Khenpo Tenzin Norgay Rinpoche

The Four Noble Truths, a talk by Ven. Khenpo Tenzin Norgay Rinpoche

Organized in conjunction with "Ugo Rondinone: I ♥︎ John Giorno" for the chapter John Giorno and Tibetan Buddhism at 205 Hudson Gallery, Hunter College Art Galleries

With works by John Giorno and Ugo Rondinone and thangkas selected from the collection of the Rubin Museum of Art

Saturday, July 8
3pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

Deer Park (Sarnath, India) circa 500 BCE: Siddhartha Gautama delivers first post enlightenment teaching, “The Four Noble Truths.” Roughly translated as the truth of suffering, the cause of suffering, the end of suffering, and the path that frees us from suffering (duhkha, samudaya, nirodha, marga), the truths serve as the foundation for the entire corpus of the Buddha’s 84,000 teachings on attaining complete liberation. Simply put, in the midst of sometimes unbearable suffering the truths are a balm, a prescription for healing. They outline a refreshing pathway, just as walkable here and now as it was 2,500 years ago.

Ven. Khenpo Tenzin Norgay Rinpoche completed the nine-year program of study at the Ngagyur Nyingma Institute, an advanced Buddhist studies and research center at Namdroling Monastery in southern India, and taught at the Institute for three years. Formally enthroned as “Khenpo” by His Holiness Penor Rinpoche in 1998, he was assigned to teach at the Buddhist college of the Palyul monastery in Tibet, where he served on the faculty for two years.

Since 2005, Khen Rinpoche has been the resident lama at the Nyingma Palyul Dharma Center (NPDC) in New York City. NPDC serves as a locus for students of the Palyul tradition in the metropolitan area, and welcomes visitors from around the world to participate in all its activities. The center hosts public talks, formal teachings, and empowerments from the Palyul tradition, as well as a variety of cultural events at venues throughout the city.

For more information about Khen Rinpoche or the Palyul tradition and retreats please visit:
www.palyulnyc.org
www.palyul.org
www.retreat.palyul.org

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Jun
24
9:00 AM09:00

Peace and Harmony Through Mindfulness

Peace and Harmony Through Mindfulness
A talk by Ven. Khenpo Tsewang Dongyal Rinpoche

Organized in conjunction with the exhibition Ugo Rondinone: I ♥ John Giorno

Saturday, June 24, 2017
3pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

Peace and Harmony Through Mindfulness, a talk by Ven. Khenpo Tsewang Dongyal Rinpoche

Mindfulness is staying in the present moment and observing our body, feelings, thoughts, and senses. By practicing mindfulness, we discover a big, open space that allows us to be non-reactive to our outer and inner experiences. It is like all our experiences are dear old friends, and we say "Nice to see you" when they arrive and "Have a nice journey" when they go! This open space brings a lot of equanimity and compassion to our lives, which brings peace to ourselves and harmonizes our actions with others.

Ven. Khenpo Tsewang Dongyal Rinpoche was born in eastern Tibet and enthroned as a Nyingmapa abbot by His Holiness Dudjom Rinpoche. He traveled and studied with H.H. Dudjom Rinpoche, as well as with his late brother, Vajrayana master and scholar Ven. Khenchen Palden Sherab Rinpoche, and his father, the hidden yogi Lama Chimed Namgyal.  As a holder of the complete Nyingmapa lineage, Khenpo Tsewang Rinpoche is fully versed in the Theravada, Mahayana, and Vajrayana schools, and is a master of Dzogchen. He has co-authored over 25 Dharma books in English with Khenchen Palden Sherab Rinpoche, and travels throughout the world giving teachings, empowerments, and personal guidance in fluent English at numerous retreats.

Ven. Khenchen Palden Sherab Rinpoche and Ven. Khenpo Tsewang Dongyal Rinpoche established the Padmasambhava Buddhist Center (PBC) in 1989 to preserve the authentic message of Buddha Shakyamuni and Guru Padmasambhava in its entirety, and in particular to teach the traditions of the Nyingma school and Vajrayana Buddhism. PBC includes over 20 centers in the U.S.A., India, Puerto Rico, Latvia, and Russia, as well as monastic institutions in India, the U.S.A., and Russia.

For more information about Khenpo Tsewang Rinpoche's activities or the Padmasambhava Buddhist Center please contact:
Padma Samye Ling
618 Buddha Highway
Sidney Center, NY 13839
+1 (607) 865-8068
www.padmasambhava.org
Youtube: www.padmasambhava.org/youtube
Facebook: Padmasambhava Buddhist Center
Twitter: KhenpoRinpoche
Instagram: www.instagram.com/khenporinpoche

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Reading by Lisa Russ Spaar with Suzannah Spaar and Jocelyn Spaar
Apr
6
12:30 PM12:30

Reading by Lisa Russ Spaar with Suzannah Spaar and Jocelyn Spaar

Reading by Lisa Russ Spaar with Suzannah Spaar and Jocelyn Spaar

Organized in conjunction with the exhibition Elective Affinities: A Library

Thursday, April 6, 6:30–8:30pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

In the spirit of its theme of fostering creative family trees, 205 Hudson Gallery's Elective Affinities: A Library will host a reading by poet, essayist, and anthologist Lisa Russ Spaar, from her just published fifth collection of poetry, Orexia (Persea Books, 2017).  Reading with Spaar will be her daughters, the poet Suzannah Spaar and the poet, artist, and translator Jocelyn Spaar.  

Lisa Russ Spaar is the author of ten collections of poetry, essays, and edited anthologies; her awards include a Guggenheim Fellowship and a Rona Jaffe Award, and her essays and reviews have appeared in the New York Times, The Washington Post, The Los Angeles Review of Books, The Chronicle of Higher Education, and elsewhere.  She is a professor of English and Creative Writing at the University of Virginia.

Facebook link:
https://www.facebook.com/events/593516287513997/

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Calling All Collectives: A&nbsp;Community Action Forum
Apr
5
12:00 PM12:00

Calling All Collectives: A Community Action Forum

Calling All Collectives.jpg

Calling All Collectives: A Community Action Forum

Hosted by the Visual Resistance in conjunction with the exhibition Elective Affinities: A Library

Wednesday, April 5, 2017, 6–9pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

The Visual Resistance (TVR) is a superforce of creative activists united to resist oppression and imagine a liberated future. We are excited to be working in a rapidly expanding field with many contributors, collectives, and individuals working with similar determination.  As such, we are inviting all the Resistance family, especially those using visuals/media/images/film/etc. to April’s forum, so we can learn about each other's work and get a better sense of our intersections, discovering ways to join forces, share resources, and grow stronger together.

This will be the third forum and the theme is Calling All Collectives. The forum will include brief presentations by several collectives including, #ArtsGoBK, BRIC, Chinatown and Lower East Side Artists Against Displacement, The Creative Resistance, the Diverse Filmmakers Alliance, Desis Rising Up & Moving (DRUM) - Moving Arts, For Freedoms, Hands Off Our Revolution, Hunter Community Action Coalition, The Illuminator, Kingsbridge Project, Love City Arts Collective, Occupy Museums, Resistance Media Collective, TVR-Imagine Liberation team, TVR-News, Wendy's Subway, Word Up Books, along with many others. There will also be breakout discussions and the evening will close with a few short readings. 

To get an idea of the March forum at Aperture, check out the program from the event and this Hyperallergic post.

Facebook link:
https://www.facebook.com/events/1828259997423465/

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“out of story”: poetry, politics, and praxis
Apr
1
6:00 AM06:00

“out of story”: poetry, politics, and praxis

Erica Baum, Page Pencil, 2013 (Dog Ear) and Spectators, 2009 (Dog Ear), archival pigment prints, 9 x 9 in., edition of 6 + II AP. &nbsp;Courtesy the artist and Bureau, New York 

Erica Baum, Page Pencil, 2013 (Dog Ear) and Spectators, 2009 (Dog Ear), archival pigment prints, 9 x 9 in., edition of 6 + II AP.  Courtesy the artist and Bureau, New York

 

“out of story”: poetry, politics, and praxis

Saturday, April 1, 2017
12–8pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

12pm: Story time hosted by Word Up with coffee and pastries

1pm: Bookmaking workshop by Esther K. Smith of Purgatory Pie Press

5–6pm: Artist/curator, Janna Dyk of Brooklyn Press in conversation with artists Golnar Adili and Adam Golfer about how family history and language navigate sociopolitical landscapes in their recent book works.

6–8pm: Readings by Erica Baum, Georgia Faust, Jasmine Gibson, Janelle Poe, and Derica Shields

Reception to follow

12pm: Story time hosted by Word Up

Word Up Community Bookshop/Librería Comunitaria came into existence when a group of neighbors decided to make a space where their community could gather, exchange, grow, learn, laugh, argue, and reflect together. As a completely volunteer-run endeavor going on 6 years in Washington Heights—an underresourced part of the city that is often left off the map of Manhattan—we have built a family from our daily work of caring for the shop and its people. The books we have selected for inclusion in this exhibition feature some of the voices of our neighborhood. Home at Word Up: The Story of a Bookshop in Washington Heights is a bilingual children's book that the volunteer collective created together after our crowdfunding campaign that allowed us to move into our current, more permanent space. 

1pm: Bookmaking workshop by Esther K. Smith of Purgatory Pie Press

Purgatory Pie Press is one of the longest running artist/presses. Founder Dikko Faust handsets antique metal and wood type and typographic elements and letterpress prints on a Vandercook, collaborating with artistic director Esther K Smith and other artists and writers. They have had exhibitions at the Metropolitan Museum, the V&A, and been included in group exhibitions at MoMA; collections including Cooper Hewitt, the Whitney, National Gallery, Smithsonian, San Francisco MoMA, Tate, Harvard, Yale and many other rare book libraries through the world.

5–6pm: Artist/curator, Janna Dyk of Brooklyn Press in conversation with artists Golnar Adili and Adam Golfer

GOLNAR ADILI
Golnar Adili is a mixed media artist based in Brooklyn. She was born in Virginia and moved to Iran when she was four. She left Iran to pursue higher education in the US. She holds a Master's degree in architecture from the University of Michigan, where she received the Thesis Award and was the recipient of the Booth Traveling Fellowship to Tehran, in 2006. She has attended residencies at the Rockefeller Foundation for the Arts in Bellagio, Italy, Smack Mellon in Brooklyn, the Fine Arts Work Center in Provincetown, the MacDowell Colony, Ucross Foundation for the Arts, Lower East Side Printshop, and Women’s Studio Workshop among others.

Some of the venues Adili has shown her work include, Craft and Folk Art Museum LA, Cue Art Foundation, International Print Center NY, Brooklyn Arts Council, and the Lower East Side Printshop. Some of the grants she has received include the Pollock-Krasner Foundation grant, The Jerome Foundation Travel and Study Grant, Foundation for Contemporary Arts Grant, the New York Foundation for the Arts Fellowship in Printmaking/Drawing/Artists Books, Puffin Foundation Grant, and the Urban Artist Initiative grant. Golnar is currently a resident at the Center for Book Arts in New York.

JANNA DYK
Janna Dyk resides in New York, where she is an artist and independent curator. In 2015 she received a MFA in Combined Media from Hunter College, after continuing studies in Photography at the School of Visual Arts (New York), and Literature and Spanish Linguistics as an undergraduate. A 2016 Rema Hort Foundation ACE Grant recipient, she has exhibited work and participated in residencies in the United States, Lebanon, and China. Recent exhibitions include Unravelled (2016) at the Beirut Art Center, To Tell You (2015), and Shall We Talk or Will We Just Gaze (2014), at 205 Hudson Street (New York). Her cross-disciplinary work navigates such varied subjects as psychology, linguistics, poetry, and perception. A 2015-16 curatorial fellow at Booklyn, select projects include [ON SILENCE] (2012) at the New York Center for Art & Media Studies, OPEN CAGE: NEW YORK (2012) at Eyebeam Center for Art + Technology; Strange Labor (2015), Cottage Industry (2015), Hard to Place (2016), and Valid From Until (2016) at Booklyn. She is editor of A House Without a Roof, a trilingual artist book by Adam Golfer. Her art and curatorial projects have been reviewed in The Curator, SEEN, ArtForum, Art in America, the NY Times, and Hyperallergic. In the Spring of 2017 she is a curatorial resident at the Marble House Project.

ADAM GOLFER
Adam Golfer is a photographer and filmmaker based in Brooklyn. His short films “Router” and “We’ll Do the Rest,” look at the socio-psychological spaces between histories, where complexity and contradiction challenge the way we understand the past, present and the future. Echoes of his own family histories are often present, although the geography, time and place may be entirely different. Recent exhibitions of his work have been shown at 205 Hudson Gallery at Hunter College, Booklyn, the Camera Club and the 92nd Street Y in New York. His commissions have appeared in The New York Times, FT Weekend, Art21, TIME, Harper’s, Die Zeit and the New Yorker, among others. In September 2015, Golfer's solo exhibition at Booklyn, “A House Without a Roof,” was a critic’s pick in Art Forum. With generous grants from the Elizabeth Firestone Graham Foundation and the Puffin Foundation, the subsequent book was published in 2016. “A House Without a Roof,” was shortlisted for the Paris Photo-Aperture Foundation First Book Award, the Mack First Book Award and was awarded the Snider Prize from the MOCP in Chicago.

6–8pm: Readings by Erica Baum, Georgia Faust, Jasmine Gibson, Janelle Poe, and Derica Shields

ERICA BAUM
Erica Baum, lives and works in New York. Current and recent museum exhibitions include Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum, New York. For the Love of Things, Albright-Knox Gallery, Buffalo, New York 2016, Photo-Poetics: An Anthology, Kunsthalle Berlin and Solomon R. Guggenheim Museum, 2015; Reconstructions: Recent Photographs and Video from the Met Collection, The Metropolitan Museum of Art, New York, 2015; After Dark, Mamco, Geneva, 2015; and the 30th Bienal de São Paulo: The Imminence of Poetics, São Paulo, Brazil, 2012. Recent solo exhibitions include The Following Information, Bureau, New York, 2016; Stanzas, Galerie Crevecoeur, Paris, 2015; The Paper Nautilus, Bureau, New York, 2014

GEORGIA FAUST
Georgia Luna Smith Faust was born, raised, and currently lives in lower Manhattan where she presides over poetry and corporate bankruptcy administration. She is the author of the chapbook Too Faust Too Furious (Resolving Host, 2016), the collaborative artist book, Pests of Public Importance (Purgatory Pie Press, 2016), and the forthcoming collection Too Big to Fail (Metatron, 2017). She holds a BA in Literature and American Studies from Macalester College and an MFA in poetry from Brooklyn College.

JASMINE GIBSON
Jasmine Gibson is a Philly jawn now living in Brooklyn and soon to be psychotherapist for all your gooey psychotic episodes that match the bipolar flows of capital. She spends her time thinking about sexy things like psychosis, desire and freedom. She has written for Mask Magazine and LIES Vol II: Journal of Materialist feminism, Queen Mobs, NON, The Capilano Review and has published a chapbook, Drapetomania (Commune Editions, 2015).

JANELLE POE
Multidisciplinary artist and City College of New York MFA student in creative writing, Poe’s writing explores the intersections of injustice, primarily race, class and gender, along with the nuances of privilege and oppression. A DJ with degrees in international studies, Spanish, and fashion design, and nearly twenty years living in New York City working in corporate and non-profit sectors, the influence of her diverse experiences and travels is transparent in her writing as is her Black, feminist and American identities. A VONA/Voices of Our Nation participant and coordinator of the CCNY MFA Reading Series, she is committed to building community amongst artists and creating opportunities for artists to gather and share their truth. 

Janelle has performed at Nuyorican Poets Cafe, Revolution Books, and Printed Matter in New York City. Recent publications include “Eyes of The Tiger” in Aster(ix) literary journal’s Winter ’16 Edition and "Black & White Studies”, a zine created alongside the painter Sheryl Oppenheim with Small Editions press.

DERICA SHIELDS
Derica Shields is a writer, editor, and programmer from South London. Her day job is Features Editor at Rookie. In 2013, she co-founded The Future Weird, a screening and discussion foregrounding weird, experimental, and speculative films by black artists and directors. Her research interests include black literature, visual art, film, and futurisms. 

Facebook Link:
https://www.facebook.com/events/428956914111588/

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Screening &amp; Artist Talk with Roee Rosen
Mar
7
1:00 PM13:00

Screening & Artist Talk with Roee Rosen

Roee Rosen, still from The Dust Channel, 2016, (video,&nbsp;23:00 minutes) 

Roee Rosen, still from The Dust Channel, 2016, (video, 23:00 minutes)
 

Screening & Artist Talk with Roee Rosen

Tuesday, March 7
7:00pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street, 2nd floor Flex Space
New York, NY 10013
Entrance on the south side of Canal between Hudson and Watts

Hunter College Art Galleries invite you to a special screening and conversation with artist Roee Rosen, (MFA Hunter College, 1991) organized in conjunction with Artis. In addition to discussing his practice, Rosen will preview The Dust Channel (2016), a new video work commissioned by documenta14 to premier in Kassel this year. An operetta about the Dyson DC07 Vacuum Cleaner, The Dust Channel explores complicated themes of xenophobia from within the private sphere of leisure and pleasure, abundance and perversions, to the State policing and detention of refugees. Rosen will also discuss other works, such as Live and Die as Eva Braun and The Blind Merchant, both of which will be on view as part of documenta14.

This event is free and open to the public.

About the Artist
Roee Rosen (b. 1963) is an Israeli-American artist, filmmaker and writer. Rosen's work explores identity and the notions of evil, specifically addressing collective memory and the power of creativity in extreme situations of life and death. Through video, painting and narrative, Rosen's humor can be thought of as at once self-deprecating and incendiary.

Playing off Rosen’s penchant for pseudonyms and alter egos, his first comprehensive retrospective at the Tel Aviv Museum of Art in 2016 was billed as a group exhibition - and included seminal bodies of work such as Live and Die as Eva Braun (1995-1997) and Vladimir's Night (2001-2014). Rosen dedicated many years to his fictive feminine persona, the Jewish-Belgian Surrealist painter and pornographer Justine Frank (1900-1943), in a project that entailed fabricating her entire oeuvre as well as writing biographical and theoretical text about her, as well as the novel she supposedly authored. In 2010 Rosen created two films. Hilarious and Out, in which a BDSM session becomes a political exorcism. Out premiered at the Venice film festival, where it won the Orizzonti award for best medium-length film. Rosen’s books include Maxim Komar-Myshkin, Vladimir’s Night (2014), The Blind Merchant (2015) and Live and Die as Eva Braun and Other Intimate Stories (2017), all published by Sternberg Press.

www.roeerosen.com

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Vistas Latinas: Archives of a Collective, 1989–2014
Mar
7
to Mar 28

Vistas Latinas: Archives of a Collective, 1989–2014

Installation view: Vistas Latinas: Archives of a Collective, 1989–2014, Hunter College Art Galleries, 2014. Photo by Louis Chan.


Vistas Latinas: Archives of a Collective, 1989–2014

Curated by Hunter College Graduate Students: Isaac Aden, Roman Cochet, Alicia Cooper, Christopher Chung, Renzo Ortega, Bahar Pour Tabatabaei and Catalina Viejo Lopez de Roda. Organized by Sarah Watson with Annie Wischmeyer

March 7–28, 2014
Opening Reception: Thursday, March 6, 6–8 pm

205 Hudson Gallery
Hunter College Art Galleries
205 Hudson Street
New York, NY 10013

Hours: Wednesday–Sunday, 1–6pm

Vistas Latinas: Archives of a Collective, 1989–2014 is the culmination of a curatorial project by Hunter College graduate students enrolled in a Fall 2013 Curatorial Methods seminar. Curatorial research began in the Vistas Latinas collection housed at the Library and Archives of the Center for Puerto Rican Studies (CENTRO). The project expanded beyond the archive to include works of art and oral histories, as well as research in The Fales Library and Special Collections at New York University.

Vistas Latinas was cofounded in 1989 by artists Miriam Hernández and Regina Araujo Corritore as a response to the lack of Latina artists represented in contemporary art galleries and museums in the United States. The collective accepts submissions from any Latina artist, then selects and curates according to each show’s theme. Exhibitions are characterized by bold aesthetics, a wide range of styles, and sensitivity to controversial issues. Using the organization as a vehicle for its members’ empowerment, Vistas Latinas belongs to a history of artist coalitions between women of color that use systematic intervention into conventional art practices to advocate for change in the art world. Influential organizations whose founding preceded Vistas Latinas were "Where We At" Black Women Artists, Inc. (WWA) and Coast to Coast: National Women Artists of Color.

Vistas Latinas: Archives of a Collective, 1989–2014 is an index to the story of its namesake coalition. Member artists are selectively represented through their contribution of works of art and oral histories. Ultimately, the exhibition is based on the experience of being in an archive. The exhibition explores the meaningful relationships between the image and original work of art, the organization’s statements and its artists’ unique voices, and the objects and their history.

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