Image by NaSser Alomairi
Public Opening Reception: September 4, 2024, 6–8 pm
205 Hudson Gallery, Hunter College Art Galleries
205 Hudson Street (at Canal St.)
New York, NY 10013
Please join us for a reception with the artist on Wednesday, September 4, 6-8pm. RSVP HERE.
All HCAG programs are free and open to public. Please let us know if you have accessibility concerns or questions and we will be happy to help. Email: hcag@hunter.cuny.edu.
ABOUT THE EXHIBITION:
Andrea Blum has worked at the intersection of art, design, and architecture for over forty years. She began making temporary installations in the mid-1970s, and in the decades since, she has created numerous public artworks for cities and universities across the United States and Europe. These include plazas, parks, mobile homes, libraries, an aviary, and sets for a Paris opera. Her exhibition designs for museums and galleries reconfigure how viewers perceive familiar spaces and one another. Blum’s sculptures frequently place bodies in proximity without the ability to touch. A tension between autonomy and intimate connection runs throughout the works.
In BIOTA, Blum presents an exhibition environment with works from 2008–2024 that center on constructions of the natural world and relations between humans and non-humans. These include a series of digital images that simulate organic matter, experiments with furniture-like objects for interspecies observation, and videos of wildlife in which animal desire parallels our own. In these psychologically charged works, Blum uses shifts of perspective and scale to explore entanglements of the natural and social realms.
Andrea Blum: BIOTA is curated by Jenny Jaskey and organized by Katie Hood Morgan, Chief Curator and Deputy Director, Hunter College Art Galleries.
This exhibition is made possible by the generous support of the Arthur and Carol Kaufman Goldberg Foundation To-Life Curatorial Workshop Fund, the Anna-Maria and Stephen Kellen Foundation, the Red Painters Fund, Jill Brienza, Agnes Gund, The Katcher Family Foundation Inc., and other private donors. The publication has been supported by the Graham Foundation for Advanced Studies in the Fine Arts, the Estate of Tony Feher, and a grant from the Wolf Kahn Foundation and the Emily Mason and Alice Trumbull Mason Foundation on behalf of artists Emily Mason and Wolf Kahn.
